I specialize in Hand Tinting Black and White Photos the "Classic way". I use my own 2 Zone Technique to create my Photo Art.Never computer aided in any way.
  I can produce works of Art from any old and forgotten Color negative. I have over 50,000 Color Negatives that I currently converting into Black and White Photo Art. My Photo Art is original and signed. I have been in the field over 25 years.

Hand Tinted Photos the Classic way.

*I want to bring Hand Tinting back in the main stream. Since we have our computers and high tech soft ware we fail to realize that computer generated imagery or photos are not the same as in the past. The reason is, that the computer lacks Zone "A" and Zone "B". Its merely a copy. All computer generated photos or prints will oxidize or fade. The sole purpose of making Photographs are to record and document historical events. Archiving Photos that are computer generated defeats this goal. In museums you will only find Black and White Photos, they know that any other type of print won't last long enough to achieve their objective.
*When we look back in the early 1800's we see images that were produced that still exist today. What if our Great masters used pixels to record there Art. They would have never dreamed of wasting there time and effort to gain fame by employing methods other than the Classical techniques to create their Art. When history is written, those who have negatives and Hand developed Prints will have works of Arts that will be priceless.
*The Great masters such Van Goghs, Picasso's, Rembrandts, Cezanne's, Seraut's, El greco,s, Constables, Botticellis, Angelico's and Bounnarroti's would not exist today as we know them if they had used digital assisted soft ware to create their works of Art. I have over 50,000 images and over 90,000 negatives that will be worth more than any digital print made today.
*Photo Art has been around in the main stream for quite some time. No one has change or improved on what George Eastman, Joeseph Niepce, Giovanni Battista, Thomas Wedgwood and Louis Jacques Mande Daguerre attempted . The computer can never allow any one the freedom that gives you the ability to capture an image as on sees it. Ansel Adams was the last person to that gave us a new set of rules and technique.
*I have developed a "2" Zone that takes his ideas and the other great Photographers of the past and improve how we see and reproduce our Photos.
Don't miss out, if you can have the luck of buying a old Photo of the past, you will own tomorrows Picassos' Van Goghs' or even an Rembrandt.
*The only worth while investment in todays Art Market will be a Hand Tinted Photograph. The other Great works of Art merely exchange owners and becomes more expensive in the process.


My 2 Zone Technique.

 

 Based on the concept of visual change in negative exposure of one stop ( a factor 2x). This change in tone is referred to as a zone in
Black and White photography. Most prints contain about 9 zones. The 18 % reflectance gray card responds to zone V (5). In the Munsell system of color notation, middle value of 5 has a reflectance of approximately 18 %.
  I print all of my Black and White Photos in the range of zone 3 to zone 8, it give me 5 zones to Hand color in the final print. Only the neutral colors ( Blacks , Grays, and Whites), have no hue and zero chroma.
  In my Prints I add color to predetermined points of interest in the fore ground , middle ground, and back ground. I will also add colors to the bottom, in the middle and on the top of each print. This enhances the third dimension and gives the print some what of a fourth dimension. The colors have a tendency to levitate and float.
   I use only color film to create my Black and White Photo Art. Color films have three layers and Black and White Film have only two
layers. I find that color films record the true mood of each scene as it really is. Reds are red, blues are blue, and greens are green.
Black and white films records the tones and not the hues and the chroma of each scene as it exist. I use my color prints to aide in my color balancing process Hand tinting each black and white print.
   I have a simple formula that I created, to achieve my color balance and color contrast of each final print. The foreground = A, middle = B, back =
C. The bottom = 1, middle = 2, and top = 3. I can place my hues of color in one of the cubes to create unimaginable  illusions of Grandeur.        


 
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