25 March, 2009
WASHINGTON - In a setback for organized labor, Senator Arlen Specter of Pennsylvania said yesterday he will oppose a bill that would make it easier for workers to form unions. Specter was the only Republican to support the Employee Free Choice Act two years ago, and unions were hoping he might be the crucial 60th vote needed to overcome an expected GOP filibuster of the measure when it is taken up this summer. Democrats and two independents who usually vote with them controlShox 45 58 seats, and would control 59 if Democrat Al Franken is seated in the contested Minnesota race. In a floor speech, Specter called it a "very emotional issue, with labor looking to this legislation to reverse the steep decline in union membership and business expressing great concern about added costs, which would drive many companies out of business or overseas." Specter has faced unusually heavy pressure from both labor and business interests and is likely to face a tough re-election challenge next year. Business groups, which have already spent more than $20 million to lobby against the bill, applauded the decision. "We applaud the senator for taking a principled standNike Men Air Force 1 Low to support Main Street employers and workers in Pennsylvania," Thomas J. Donohue, president and CEO of the US Chamber of Commerce, said in a statement. John Sweeney, president of the AFL-CIO - which earlier yesterday released a poll it commissioned that showed 72 percent of Americans favoring the bill - called Specter's decision "frankly a disappointment and a rebuke to working people, to his own constituents in Pennsylvania,Shox Legend Trainer and working families around the country."
20 March, 2009
A man without a woman is like a pistol without a hammer, wrote Victor Hugo. But a romantic comedy without a female lead, well, that’s just a fine bromance and now Hollywood business as usual, as most recently demonstrated by “I Love You, Man,” a fitfully funny comedy that owes much to Judd Apatow, the king of such sublimated man-on-man affairs. Though Mr. Apatow isn ’t officially credited, his DNA is all over this bromance, which stars Paul Rudd as a wuss who mans up by befriending a guy ’s guy (Jason Segel) whose masculinity is so secure heUGG Adirondack Boot II wears Ugg boots and shorts to walk his wee dog. Though he shares the soft-body profile of the typical Apatow hero — a gentle belly swell, the suggestion of an A-cup — Mr. Segel has butched up somewhat to play Sydney Fife, a surprising object of platonic affection for Peter Klaven (Mr. Rudd). The last time Mr. Segel appeared on the big screen was in “Forgetting Sarah Marshall,” in which he played the feminized hero, a man who cries over his broken heart. In that film he’s so coded female that his new (female) love interest jokes, “I can see your vagina” when he balks at jumping off a cliff into the ocean. Here, though, it’s Mr. Segel who plays gender police and deploys the requisite gyno-joke by affectionately telling Peter to take his tampon out, guy-speak for chill. Peter’s problem, according to the strait-laced if gay-friendly people around him, is that he doesn’t have a dude to call his own, a best man who can stand by his side when he marries Zooey (Rashida Jones). In the movie’s logic that makes Peter something less than a man and somewhat more of a woman: a semi-man or, if you prefer, a femi-man. He’s far more feminized than even his gay brother,360 One Time Only Pack Robbie (Andy Samberg), whom their father (J. K. Simmons) calls his best friend. And so, encouraged by fiancée and family, Peter goes looking for a soul brother, a search that first leads to some regrettable male bonding involving poker and puke and a little tongue (from Thomas Lennon) during a misconstrued man date. Peter and Sydney finally meet during an open house. A junior realty agent one multimillion-dollar sale away from his own development dreams, Peter is trying to sell Lou Ferrigno’s mansion (the former Incredible Hulk puts in amusing nongreen face time in a small role) when Sydney starts chowing down on his gourmet sandwiches. A bachelor on the hunt for diamond-collared cougars, Sydney lives a low-impact Los Angeles life with a pooch and a romper room crammed with television sets, electric guitars, a drum kit and a designated masturbation chair. Interest blooms into camaraderie when the men discover a mutual love of the band Rush, which, between this and its appearance last year on “The Colbert Report,” is definitely riding a pop cultural wave. The director John Hamburg, working from a story idea by Larry Levin, with whom he wrote the script, doesn’t do anything with the camera, but he sets a nice, easygoing tone for the actors. That suits the talents of Mr. Rudd, a slack screen presence whoUGG Adirondack Tall owns the patent on male adorableness and is charming to watch, even if all he can do are variations on a theme: adorable embarrassment, adorable goofiness, adorable sexiness. He’s the ultimate in nonthreatening masculinity (Seth Rogen seems macho by comparison), the male equivalent of one of those plush animals girls and even some women like to keep piled high on their beds. Given that he’s more of a character actor than leading man, he’s perfectly cast in the “girl” role. Mr. Segel, playing a less irritating character here than in “Forgetting Sarah Marshall,” manages to be almost as adorable if slightly less ingratiating than his co-star. More conceptual than believable, Sydney alternately recalls Dean Martin (after a few) and a far tamer version of the ultimate dude, a k a Jeff Lebowski. Unlike the Dude, however, the character played by Jeff Bridges in the Coen brothers comedy, Sydney isn’t Air 180 struggling against the machine or spinning in circles to the sounds of Captain Beefheart. He’s just another would-be kid whose childhood friends have all moved on — to women, families and careers — but who wants to keep hanging out with the guys, which makes him a lot like the men who make these movies. “I Love You, Man” is rated R (Under 17 requires accompanying parent or adult guardian). Dirty words. I LOVE YOU, MAN Opens on Friday nationwide. Directed by John Hamburg; written by Mr. Hamburg and Larry Levin, based on a story by Mr. Levin; director of photography, Lawrence Sher; edited by William Kerr; music by TheodoreUGG Belfair Shapiro; production designer, Andrew Laws; produced by Donald De Line and Mr. Hamburg; released by DreamWorks Pictures and Paramount Pictures. Running time: 1 hour 45 minutes.
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05 March, 2009
Supreme Court rejects limits on drug lawsuits
Thursday, March 05, 2009 WASHINGTON — In a setback for business groups that had hoped to build a barrier against injury lawsuits seeking billions of dollars, the U.S. Supreme Court ruled Wednesday that state juries can award damages for harm from unsafe drugs even though their manufacturers had satisfied federal regulators. The ruling could have implications beyond drug manufacturing. Companies have sought tighter federal regulation in recent years to shield themselves from litigation. The court, by a 6-3 vote, upheld a jury verdict Shox Respondof $6.7 million in favor of Diane Levine, a musician from Vermont who had part of her arm amputated after she was injected with an anti-nausea drug. Chief Justice John G. Roberts Jr. and Justices Antonin Scalia and Samuel A. Alito Jr. dissented. The drug's manufacturer, Wyeth, had argued that its compliance with the Food and Drug Administration's labeling requirements should immunize it from lawsuits. Pharmaceutical companies expressed disappointment at the decision. Merck spokesman Ronald Rogers said, "We believe state courts should not be second-guessing the doctors and scientists at the FDA." The central issue in the case was the absence of language in the federal law setting out regulation of prescription drugs that clearly pre-empts consumer complaints in state courts. Congress has included such language in other areas. "Unless Congress has spoken directly to the question, Nike Men Air Force 1 Lowthe court this term has said it is not going to favor broader arguments for pre-emption," said lawyer David Frederick, who represented Levine. Frederick, a 1989 graduate of the UT law school, is an appellate attorney in Washington, D.C. He also co-directs the University of Texas Law School's Supreme Court Clinic. Tom McGarity, a UT law professor who aided Frederick with preparations in the case, praised the court's decision. "I think this is a big win for consumers in general, and patients in particular," McGarity said. "It means consumers can have their day in court when they're harmed by a federally-regulated drug." The case began in 2000, when Levine, suffering fromUGG Brookfield migraine headaches, visited a clinic. She was given injections of Demerol for the pain and Wyeth's drug Phenergan for nausea. If Phenergan is exposed to arterial blood, it can cause swift and irreversible gangrene. For that reason, it is usually administered by intramuscular injection or intravenous drip. This time, a physician's assistant used a third method, injecting the drug into what she thought was a vein, a method known as "IV push." But the injection accidentally hit an artery. In the following weeks, Levine's hand and forearm were amputated. She settled a lawsuit against the clinic and went to trial against Wyeth, saying its warnings against IV-push administration weren't strong enough. Levine, who once played the guitar and piano Shox Disobey professionally, greeted Wednesday's decision with elation. "Next to getting my hand back," she said of the Supreme Court, "it's the least they could have done and the best they could have done." Additional material from Statesman staff writer Patrick George and The Associated Press.